in a mystical way,
courtesy Acoutica Mixcraft … a little Springtime
sprinkled with some sparkles of imagination
Trapcode Horizon Season of Light
Take your guests into special dimensions of space and light with the special effects found in Trapcode
and take After Effects to another dimension
in this Season of Light
After Effects repeater make it easy to create a magical mosaic.
Adding light transmission will add a mystical quality adding Life to your Geometery
Happy Thanksgiving
The cartoon effect has caught on in so many different ways. We have the little assistant cartoon person step out onto our desktop at several service sites. We have the cartoon logos identified with our products and more recently we have the cartoon caricature used for our social networking presence. We find offers in our mailbox to have our profile image ‘cartooned’ for us.
The cartoon effect in After Effects is great for a banner, a photographic image or video providing a simple way to give an other worldly look to your subject. It is also easy to create a ‘French impressionist’ look with bright colors and exaggerated texture and features.
Fortunately the cartoon effect is quite easy to apply, very easy to experiment with. Like any animation or special effect, giving some thought to what your finished product is going to say, how you want it to look is a great start. A comic effect is typical for the animated helper but it is just as easy to create a little drama with bold features and shadows. Picture the Hulk or Superman.
Why not a Picasso incarnation?. These exaggerated colors and lines of definition, texture that you can touch can be ingredients for expressive emotion and ’super reality’.
When you apply cartoon you have three ‘high level’ render options: fill, edges, or a blend of the two. These choices are just what they sound like. The edges will highlight an outline of your video in black and white. It reminds me of a black and white charcoal sketch with white fill, dark grey and black outlines. This is an extreme cartoon and while it might serve in a logo or symbol, I doubt this is what you will want for your expressive video.
The fill option does the opposite. It exaggerates only the fill portion doing nothing to the edges. Imagine puffy fill with soft textures and because you haven’t used the edges attribute, edges are very rounded and reveal curves. With fill chosen you see shadowing and darker shades highlight the fill creating the cartoon effect in this fashion. There is no better subject for the cartoon effect than a human being complete with face color, lines, and texture and the clothes we humans wear. This ‘fill only’ approach, creates the true comic book cartoon likeness with shading and color describing human features and clothing fabric. The fill option has two adjustments for shading steps and smoothness. At the higher setting for shading steps, the shading is less pronounced producing a softer image. At it lowest settings approaching zero, the fill shading produces much more noticeable differences in color and shadow, a much more noticeable effect.
To get a different and perhaps the preferred cartoon effect, use these two together combining fill and edges under your render option. You will see an immediate profound difference. You see the soft textures, colors, the fabric you can touch, but you also see powerful dark lines outlining everything from your human subject to the objects that share the video. If your subject is sitting in a chair, for example, your subject and the chair share powerful outline and animated description, sharing similar descriptions providing a seamlessness to the entire image.
Remember that because the cartoon effect has graduated settings, you can use After Effects ‘brainstorm’ tool to get help producing some random combinations of the available settings, assisting you discovering that ‘certain look’ you are looking for. As you use ‘brainstorm’, you are presented with different combinations of the settings introduced in this article. Clicking on the ones you like will include them in a second ‘brainstorm’ random creation. You also have the option to add one of the ‘brainstorms’presented to your current composition or save it as an entirely new composition.
Of all the effects that will help you achieve the preconceived image you are seeking, cartoon is a worthy assistant but cartoon will do much more. Cartoon will give flight to your imagination taking you to new visions you have never seen before. Enjoy !
bending a little light on Friday night -
mo’ later ~
Taking steps into 3d animation taps your imagination. Allow light transmission to help you find your ‘inner artist’.
There is a very simple, very cool technique in After Effects which allows you to play with color, light, and shadows.
There is a combination of three settings, one on the object receiving the image, one casting the image, and the light which produces the image. This is one of those effects that is so easy to capture, nominal learning curve, yet really impressive results right away.
Any catches ? Not really. There are always surprises and other factors and like any new technique your comfort level comes with a wee bit of practice. Like so often, my first experience was getting it to work, then not being able to reproduce it thoughtlessly. This technique is so simple there are only a couple issues, so let’s take a look.
When I’m learning something new, I want to isolate any settings that ultimately affect one another. I also want to keep it simple. Include objects that you need to define and test your new technique and no others. This prevents the introduction into your composition of anything ‘other than’ the objects, technique, and effects you are proving. Once you see and verify exactly what produces the effect you want, what may vary or skew, then bring everything back into the larger context of a composition where you are actually going to use this technique. If you have issues, you can go back and forth with the certainty that it works, that certain parameters are necessary and separate this from everything else in your composition.
If this sounds a bit wordy, this is a better real world example, just for the effect I’m sharing here. I chose a stained glass image, brought in a textured backdrop. Created 3 surfaces, one behind and to the right and left of this stained glass. On stained glass (which is a .jpg file type), turn on ‘Casts Shadows’ and move ‘Light Transmission’ to 100%. You can leave all other settings at their default.
On the backdrops, mine are image files but they could be simply solid settings within After Effects, turn on ‘Accepts Shadows’. Now create a light, setting it’s ‘Cast Shadows to ‘On’. That’s really it. When I didn’t always see color shadow right away, I began to play with the orientation of the stained glass.
Just as in real life, the relationship, distance and angle between the light and the glass in reference to the surface receiving the shadow make all the difference. Play with th orientation of the surface receiving the light, in my case the stained glass. However, one of the most fun discoveries is that while glass, and especially stained glass allow light to pass through creating a colored shadow, After Effects is simply obedient software.
If the object you want to ‘Cast Shadows’ is a picture, or a movie, or quilt, or even yourself, After Effects will obey. Just because you don’t transmit light doesn’t mean you can use this setting in After Effects. Use it on a picture, clothing because any object you define to ‘Cast Shadows’ will and it will transmit it’s color, just like a stained glass.
It helps to play with the settings that make this work: ‘Cast Shadows’ on the receiving object, ‘Receives Shadows’ on the accepting surface, and ‘Casts Shadows’ on the light. Besides these ‘on/off’ settings, adjusting the ‘light transmission’ setting on the object which cast shadows, and the light intensity of the light brighten your new image.
Experimenting with the positional relationships of all three objects may be the best way to see the varied results. Once you are comfortable with the settings, that produce these results, experiment with the relationships, angles, and distances just as you would in a movie settings.
This is a lot of fun and produces 3D results with brilliant color on your first efforts.
A simple switch on your material properties will enable a layer to transmit light.
This creates some enlightening possibilities.
take a little time to enjoy my Hibiscus, wide screen flash video.
Using After Effects time rendering, we get to see this beautiful Hibiscus, open her blossoms on a beautiful summer morn, in Dog Creek
After Effects 3d, casting shadows, light transmission – 3d reflections …
and a little Soundbooth to bring melody to this simple vision.